![]() ![]() Actually, Hugh Banton (for other projects were still pending) did not participate as much in this album and one can feel it. If you'll pardon the pun, but Scorched Earth is also a real scorcher of a track, also full of constant tempo changes and Banton's organs pulling in its weight. But life is made out of choices, and Sleepwalker (still acceptable track, but not up to standards of the others here). ![]() One of the characteristic from this era of VdGG is that Hammill will gradually pick up more and more the electric guitar as the picture on the back-cover shows.įrom the absolutely stunning Undercover Man, a slow crescendo starting from an all too rare Jackson flute and drums, the progression is astounding as Hammill's voice and Banton's organs slowly fill the soundscape, until halfway through the track hit full stride with Jackson's sax, before slowly returning to the flute to the third track Arrow (the most aggressive), this album is a real stunner and would've been their best ever if the last track, Sleepwalkers (a fairly shoddy track with a completely out of place Cha-Cha-Cha ruining it further, yes colleagues I confirm this point of view -) had been substituted by any track from the almost perfect Still Life. The batch off "songs" were actually shorter, mot as intricate, but certainly more aggressive (bar the opener of this album), but this was also fully intended as they were careful not making a "son of" Pawn Hearts, however disputable this choice might have been. After a two and half year break spent at different projects, but all four roads kept crossing each other's, the quartet reconvened and recorded a batch of songs that ill produce not only Godbluff, but also a good deal of the following Still Life. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |